1945 What Peggy told Wren
Daddy comes home
Mama said the whole platform was crying. Daddy picked me up so high I could see over everybody’s hats, and I didn’t know who he was.
Before we made it, Wren asked


Reenactments
The night they met. The day he came home. Nobody had a camera, so we recreate the scene from what they remember.
Film cost money. Cameras came out for Christmas and weddings. So the night your grandmother met your grandfather, nobody took a picture.
It only exists in one place: the way she tells it. We turn that telling into something the family can see.
Peggy’s reenactments
Peggy Albright is our sample storyteller. Over a year of Sunday afternoons she told Wren about her life. These are five moments nobody photographed.
1945 What Peggy told Wren
Mama said the whole platform was crying. Daddy picked me up so high I could see over everybody’s hats, and I didn’t know who he was.
Before we made it, Wren asked

1951 What Peggy told Wren
In winter we’d all crowd around the radio by the stove. I sat on the floor in my nightgown so I could be closest to the speaker.
Before we made it, Wren asked

1959 What Peggy told Wren
It was pouring rain and this tall boy came in soaked to the bone, glasses all fogged up, and ordered coffee, black, no sugar.
Before we made it, Wren asked

1962 What Peggy told Wren
They hung paper lanterns from the ceiling. When the band played Moon River, Walt stepped on my foot twice and whispered, ‘I’ll get better at this.’
Before we made it, Wren asked

1969 What Peggy told Wren
Walt woke the kids up and we all sat on the carpet in our pajamas in front of the television. Anne fell asleep in my lap.
Before we made it, Wren asked

From story to scene
Every scene starts from their own words. The family checks it before it’s final.
Wren asks a question by text or on the phone, and listens. The best moments usually come out sideways, halfway through another story. When one has no photo, Wren makes a note of it.
Wren goes back for the details: the dress, the car, the song on the jukebox, who was standing where. Then we draft the scene, and you and the family tell us what’s off.
We produce the finished portraits for the book and the website, each one marked as a recreation. On Legacy, the scenes also become a short film.
Sample reenactment film · stills
On the Legacy plan, the scenes become a short film. This sample uses the stills from Peggy's story. Tap to pause.

1945
Daddy comes home
“Mama said the whole platform was crying. Daddy picked me up so high I could see over everybody’s hats, and I didn’t know who he was.”
Real photos, restored
Recreations are only for the moments no camera caught. The photos that did survive, we repair.
They snap a picture of the old print, or mail us the original, and we fix the fading, creases and tears. A restored photo stays a photo. A recreation is always marked as one. Nobody has to wonder which is which.
Sample
SampleIn every plan
Heirloom includes a portrait series. Legacy adds more portraits and the short film.
Heirloom
$3996 reenactment portraits of moments never photographed
Their story, beautifully kept: the book, the website and a portrait series.
Legacy
$79912 reenactment portraits and a short reenactment film
Everything, for the whole family: more books, their voice and a short film.